Coleridge said of Wordsworth that he had to create the taste with which he was read, DeLillo has gone further by creating the reader by which he is read.
It may well have been the twinkling maestro’s work or an example of the phenomenon which I read about in the pull-out literary section of the National Enquirer which tells how an authors deeply meditated work can become actual and manifest. Tom Sawyer I know where you live!
White Noise read by everybody except myself until the other day is a masterpiece of sustained satire such that when you start to talk about it you realise you are in it and put down your signifiers and surrender to the fun and mockery of academics that were too long on the McLuhan teat and went solid with Barthes and the Hitler and the Holocaust industry which only abates during attacks on Gaza for reasons of sensitivity. Then the great theme of telly and its channelling of reality, parsing it as an all pervasive context. DeLillo hasn’t bothered to claim that there is no resemblance to anyone living or dead for that would be to draw the modern science of disclaimers that negate that which is denied. Some logician might take that up and discover the modifier ‘like’ as a paraliptic inversion.
To re-read, a must, to have only just read a criminal oversight.