Showing posts with label Leslie Stephen. Show all posts
Showing posts with label Leslie Stephen. Show all posts

Monday, 29 December 2025

'To the Lighthouse' by Virginia Woolf

 I have written before about the element of panpsychism in the novel.  Here is the perfect expression of the pervasion of consciousness delivered by Mrs. Ramsey’s handmaiden Lily Briscoe who is attempting to complete her painting of the beautiful mother and her son James sitting on the steps leading from the french windows.

 

“She seemed to be standing up to the lips in some substance, to move and float and sink in it, yes, for these waters were unfathomably deep. Into them had spilled so many lives. The Ramsays’; the children’s; and all sorts of waifs and strays of things besides. A washerwoman with her basket; a rook; a red-hot poker; the purples and grey-greens of flowers: some common feeling which held the whole together.”


But it won’t come together for her, composition eludes her.  The empty space that is Mrs.Ramsey, gone, a portal to inanition. She misses her, the reader misses her as an avatar of the Moirae all combined in the one person but one  whose thread has been cut.  Prue gone, inheritor of beauty, Andrew gone, the mathematician, yet lingering on is Mr.Ramsey, Augustus Carmichal with his yellow stained beard now a famous poet and a personage, Tansley has a fellowship and probably still thinks women can’t write, can’t paint .  Ramsey continues to bully with his moods and the need for reassuarance from women.  Lily does not give this homage to the great man whose pondering on the reality of the kitchen table may be the source of his irascibility.  


The house has a speaking part.  In the ‘Time Passes’ section the passage from desuetude to near dereliction beautifully plots the course of decline of the energies of its inhabitants.  Once it was, could Woolf be so parallel, a lighthouse. Philosopher Ramsey, Poet Carmichael, Scientist Bankes, Tansley young scholar, Briscoe seeking a vision and lattely finding it.  The long Edwardian summer is over, the happiness of Paul and Minta, now the Doyles, cankered by infidelity.  The thread of fate is cut, the clew falls back.  Were those brown stocking ever finished?  


What is it that they bring as offerings to the lighthouse:


“Then, wheeling about, he led the way with his firm military tread, in those wonderful boots, carrying brown paper parcels, down the path, his children following him. They looked, she thought, as if fate had devoted them to some stern enterprise, and they went to it, still young enough to be drawn acquiescent in their father’s wake, obediently, but with a pallor in their eyes which made her feel that they suffered something beyond their years in silence.”


Is it possible to reconstitute your world?  A mark, a smudge, an impressionistic blur is Lily Briscoe’s way of finishing her picture.  There seemed to be a flash of white across the french windows.  Mrs.Ramsey?


“Yes, with all its green and blues, its lines running up and across, its attempt at something. It would be hung in the attics, she thought; it would be destroyed. But what did that matter? she asked herself, taking up her brush again. She looked at the steps; they were empty; she looked at her canvas; it was blurred. With a sudden intensity, as if she saw it clear for a second, she drew a line there, in the centre. It was done; it was finished. Yes, she thought, laying down her brush in extreme fatigue, I have had my vision.”




Sunday, 9 September 2018

Professor Auerbach meets Mrs. Ramsey in To the Lighthouse


It’s pointless knowing a lot if you only see what you already know. Auerbach in Mimesis was hewing to certain lines but when he comes to modernist writers who run off those he seems to be a little blunted. Knots no doubt. The Brown Stocking which I skipped to wanting to see what he made of To the Lighthouse misses a great deal particularly the influence of Bergson via Proust. (Proust was the best man at the wedding of his cousin Louise Neuberger to Bergson.) The concept of Duration, how memory sifts it and the density of poetic expression which reflects its compression in the present moment; all these elements are present in To the Lighthouse. I have posted before on the panpsychist element in the book
panpsychism
Mrs. Ramsey is herself the lighthouse illuminating with intense beams different sections of the cone of memory.
cone of memory
She is compared in Auerbach’s citation to a Greek goddess. I think this must be an ironical reference to the Moirai (Fates), the spinners which decide the fates of men, here ironically knitting her yarn into a pair of socks. Her matchmaking schemes are the fates she ordains.

Mr. Ramsey shares with the author’s father fussiness about soup. Leslie Stephen in his essay A Bad Five Minutes in the Alps taken from the collection Essays on Freethinking and Plainspeaking admits to this crankiness but does not specify its exact nature. I take this essay i.e. ‘Bad 5 mins.’, to controvert William James’s Will to Believe. More on that later. L.S. edited a collection of the essays of William Kingdon Clifford of which The Ethics of Belief is one and of course Clifford is perhaps the first of the modern panpsychists. ‘What goes around comes around’.

((All of Sir Leslie Stephen's books can be found at wikisource:
Leslie Stephen

Correction: William James’s essay was delivered in 1896 and the Essays on Freethinking and Plainspeaking were first published in 1873 and so for James to tackle Stephen on the matter of faith under pressure would be proleptic time travel, or something. In any case the connection is clear because James mentions Stephen in his first paragraph.



Monday, 5 September 2016

Leslie Stephen and the 'Topic Sentence'.


Skholiast comments:
I have forgotten now which collection of L.S. (Leslie Stephen) it was that I was reading, but I realized I was completely charmed by the style and had not absorbed so much as a sentence of the content, and had to start over. Not that he is the greatest of writers. But I had been reading a steady diet of 20th c exposition, and in contrast, Lo, here was a paragraph which wended this way and that for line upon line until somewhere towards the end the language finally got to where the thought might be beginning. Not a "topic sentence" in sight. In short, ladies and gentlemen -- the Victorians.
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||


Skholiast:
Confession: I had to look up wikipedia to find out what a ‘topic sentence’ was. Doesn’t the firmness, definiteness, the nailing down of that concept work against the true nature of the essay. In that form ‘doing is the mother of doing’ (Samuel Johnson); each thought leads to another in an associative way. What is opened up is not a position but the many mansions of the writer’s mind. Now that I’ve found a readable translation by Screech of Montaigne’s Essays I realise that Michel rambles. He uses his Latin topoi to collect himself and ask 'where am I now, let me consult my map’. Johnson was the proto-Rambler and set down his grandiloquent projection with cherubs blowing and dragons breathing fire. The point is not to get anywhere but to know better where we are.

The task of an author is, either to teach what is not known, or to recommend known truths by his manner of adorning them; either to let new light in upon the mind, and open new scenes to the prospect, or to vary the dress and situation of common objects, so as to give them fresh grace and more powerful attractions, to spread such flowers over the regions through which the intellect has already made its progress, as may tempt it to return, and take a second view of things hastily passed over, or negligently regarded.
(from The Rambler No.3, Tuesday, March 27, 1750)


Friday, 2 September 2016

Essays on Freethinking and Plainspeaking by Leslie Stephen (1873)


Darwinism and Divinity. (Essay)
What Stephen has to say about the challenge of Darwinism to Christianity is not substantially different from many agnostic moderns. I speak of the more sophisticated nay sayers who turn up regularly at the Opininator of the New York Times. Savour this piquant mythopoetic analysis of religion:

One would say at first sight that religion is no more likely to leave the world because we have new views as to the mode in which the world began, than poetry to vanish as soon as we have ceased to believe in the historical accuracy of the siege of Troy. Man pos-
sesses certain spiritual organs, whose function it is to produce religion. Religion could only be destroyed by removing the organs, and not by supplying them with slightly different food.

For spiritual organs instert God Neurons to make it current. Is there any truth in this view? Squint at it sideways and talk about Sanathana (Eternal) Dharma and the nature of consciousness itself and you will be ghostly met as The Cloud of Unknowing might say with a sly smile because you have taken the bait. Stephen's M.O. is to unpack your innocent acceptance. Let us see how he does it.

He mentions an argument for the necessity of the infusion of a rational soul into the hominid which is still current:

It is substantially an attempt to prove that the gap between the brute and the human mind is so wide that we cannot imagine it to be filled up by any continuous series. It is argued at great length that instinct differs from reason not in degree but in kind, or that brutes do not possess even the rudiments of what we call a moral sense.

He spoils his defence of dogs as bearers of rudimentary consciousness with:
Certainly no beast has framed an abstract conception of duty. Neither, it is said, have some savages risen to that idea.

He may be right about the possibility of a gradual ascension to self awareness but his way of putting it is classical racism:
We may thus proceed by perfectly imperceptible stages, and in the course of three or four thousand generations we shall get a man-monkey fully equal in intelligence to the average Hottentot.

He insists that materialism is dead and to confute it is to slay the slain. One may as well impugn the 'all is fire' manifesto of Heraclitus. He finds it a degrading turn. It is not clear why. Materialism may have been a killer objection for the Victorians much as racism is in our time.

He likens the Theory of Evolution to the startling knowledge that the universe was very large as was the world and the numbers of Christians as compared to heathens very small.
The recognition of these two facts, that there were millions of heathens, and that the universe was a very large place, really upset the old theology.

That of course is nonsense. The challenge was to convert all nations and they were well aware that was in sporting terms 'a big ask'.

He mentions the Catholic Church which possibly to his chagrin was not caught out in denial of the science behind Darwinism:
It is permissible, it appears, I for orthodox Catholics to hold that the series of facts alleged by Mr. Darwin actually occurred, I and that the ape changed by slow degrees into the man; only they miist save themselves by calling the process miraculous, and thus, for a time at least, the old theory may be preserved.
No doubt there were Jesuit prevaricators behind this 'cute move. Which reminds him - Cardinal Newman and his asserted obviousness of the priority of conscience in the development of the human mind and the sense of sacrifice as atonement being primal.

Stephen makes the valid point that when anthropological data is required Christianity is glad to use other religions it but will in other respects discount them. Well it would do is the answer to that, true in some respect does not imply that it might be true in all respects.

Here is an early adaptation of the anti-teleological view that Darwinism is taken to espouse.
For Darwinism is, in fact, the scientific embodiment of that attack upon final causes which was already explicitly set forth by Spinoza, and which animated some of Hume's keenest logic.

we confine ourselves to remarking that the development of eyes is part of the great process of the adaptation of the organism to its medium.
Is not this quest for knowledge of the environment part of the general goal, an end, a telos?
He mentions a problem for religion even of the anemic sort that Stephen would accept:
Does not the new theory make it difficult to believe in immortal souls? If we admit that the difference between men and monkeys is merely a difference of degree, can we continue to hold that monkeys will disappear at their death like a bubble, and that men will rise from their ashes?
One doubts that he would be much impressed by Indian theories of transmigration. Nothing would lessen the disdain he had for religion which is a curious fact given that those that he was reared amongst are taken to be examples of the benign power of religion in society. Would the slave trade have been abolished in a peaceful manner in the British Empire without them when one considers that it took bloody war to do so in America?

He gets distracted from his consideration of the impact of Darwinism on religion by the opportunity to insist that the belief in immortality buttresses the higher impulses of our nature and it is from those impulses that it draws its strength rather than from metaphysical arguments purporting to found immortality as a rational belief.

In his summing up:
But we may be sure that it (the new doctrine of Darwinism) will not take root till in some shape or other it has provided the necessary envelopes for the deepest instincts of our nature. If Darwinism demonstrates that men have been evolved out of brutes, the religion which takes it into account will also have to help men to bear in mind that they are now different from brutes.

Tuesday, 30 August 2016

Panpsychism in To the Lighthouse by Virginia Woolf


Q: What’s the story of To the Lighthouse?
A: In the first major section they don’t go to the lighthouse. After an interval during which some people die, offstage; they do go.

Most of all it is a portrait of Mr. Ramsey and Mrs. Ramsey who are based on Woolf’s parents. From my reading of Leslie Stephen, who was enthusiastic agnostic reared in an evangelical hothouse with a suggestion of having been forced in it but not hardened off to withstand the cold air of Cambridge rationalism, I find this introduction to him true.

Such were the extremes of emotion that Mr. Ramsay excited in his children’s breasts by his mere presence; standing, as now, lean as a knife, narrow as the blade of one, grinning sarcastically, not only with the pleasure of disillusioning his son and casting ridicule upon his wife, who was ten thousand times better in every way than he was (James thought), but also with some secret conceit at his own accuracy of judgment. What he said was true. It was always true. He was incapable of untruth; never tampered with a fact; never altered a disagreeable word to suit the pleasure or convenience of any mortal being, least of all of his own children, who, sprung from his loins, should be aware from childhood that life is difficult; facts uncompromising; and the passage to that fabled land where our brightest hopes are extinguished, our frail barks founder in darkness (here Mr. Ramsay would straighten his back and narrow his little blue eyes upon the horizon), one that needs, above all, courage, truth, and the power to endure.

Here it is worth noting that both Leslie Stephen and his father James suffered from serious depression. Ramsey/Stephen was a very high maintenance individual constantly seeking reassurance from the women around him. I will leave out the parallels which may be heightened by the retrospective imagination of the author who was 15 when her father died.

If not much happens what sustains the beautiful flow of the novel? The story is not wrenched on by incident as though the characters were stuck in the slough of facticity and needed a brisk shove. Above all it is a world in which as we move from mind to mind are always aware of where all the other bodies are. Mr. Ramsey is walking up and down the terrace declaiming fragments of poetry and worrying about his reputation, Mrs.Ramsey is knitting on the steps of the drawing room and here we are given the feel of French windows but not stated, on the lawn Lily Briscoe is making tentative marks on her painting afraid that it may already be spoiled, Mr.Carmichael is reading a French novel, the ‘little atheist’ Tansley is muttering ‘can’ paint, can’t write’ about women. We never loose sight of them all, they never loose sight or mind of each other. The children brood and fume over the tyrant whose wrath can shift to blessing in a trice. There are no defined edges to each mind or person, they flow together, the house broods over all and its lares and penates are mediated by the hosts Mr. and Mrs.Ramsey. The Boeuf en Daube triumph is one of the great dinners of literature. I am moved by such sustained skill. Will Ramsey spoil it by his anger at Carmichael asking for more soup? That passes over. But what has happened to Roger Rayley and Minta Doyle? They should marry Mrs.R. has decreed, William Bankes should marry Lily Briscoe. The world should marry and mothers will read stories and it all will process down a broad avenue which is also called life.

Here is an example of the permeability of minds and the panpsychism of the alert hedge:

Shabby and worn out, and not presumably (her cheeks were hollow, her hair was white) any longer a sight that filled the eyes with joy, she had better devote her mind to the story of the Fisherman and his Wife and so pacify that bundle of sensitiveness (none of her children was as sensitive as he was), her son James.
“The man’s heart grew heavy,” she read aloud, “and he would not go. He said to himself, ‘It is not right,’ and yet he went. And when he came to the sea the water was quite purple and dark blue, and grey and thick, and no longer so green and yellow, but it was still quiet. And he stood there and said —”
Mrs. Ramsay could have wished that her husband had not chosen that moment to stop. Why had he not gone as he said to watch the children playing cricket? But he did not speak; he looked; he nodded; he approved; he went on. He slipped, seeing before him that hedge which had over and over again rounded some pause, signified some conclusion, seeing his wife and child, seeing again the urns with the trailing of red geraniums which had so often decorated processes of thought, and bore, written up among their leaves, as if they were scraps of paper on which one scribbles notes in the rush of reading — he slipped, seeing all this, smoothly into speculation suggested by an article in THE TIMES about the number of Americans who visit Shakespeare’s house every year. If Shakespeare had never existed, he asked, would the world have differed much from what it is today? Does the progress of civilization depend upon great men? Is the lot of the average human being better now than in the time of the Pharaohs? Is the lot of the average human being, however, he asked himself, the criterion by which we judge the measure of civilization? Possibly not. Possibly the greatest good requires the existence of a slave class. The liftman in the Tube is an eternal necessity.


Thursday, 25 August 2016

The Carlyle, Stephen, Wilberforce Triangle.


Readers of the previous post may have been puzzled by the apparent acceptance by Sir Leslie Stephen of Carlyle’s proposal to force the pumpkin growing freed slaves into useful employment. It all goes back to the Clapham Sect and their founding of the Sierra Leone Company. William Wilberforce and Sir James Stephen, Sir Leslie’s father were leading lights in this venture which became a centre for the ‘retraining’ of recaptured slaves taken from pirates probably supplying the American trade after it was declared illegal by Britain and subject to confiscation on the high seas. However when the captives were delivered to Sierra Leone they were forced either to accept indenture for a fixed term at a cost of 20$ to their ‘employer’ or join the navy or army. Women were given away. No one was paid and only food, shelter and clothing provided. If an ‘apprentice’ ran off he was re-rescued in chains. This they had to suffer for I think fourteen years at first and later after agitation it was down to four.

Given that background Stephen was in no position to chide Carlyle if indeed he might wish to. Though expressed in brutal terms was Carlyle that far from what Wilberforce was obliged to accept in Sierra Leone? A sketch of that tangled history from a source likely to offer a charitable reading:
Sierra Leone Company

A Guardian review of a book on the Clapham Sect by Stephen Tomkins is, guess what, harsher:
wiberforce condoned slavery

Addendum:
William Wilberforce was influenced by the same escape clause which colonizers often offer as an excuse - ‘We are in principle in favour of independence/freedom for X, Y, Z countries but we feel that they are not ready for it yet. Our duty of care does not permit us to simply throw them into an unfamiliar state of freedom. It would lead to chaos.
Later in the same year (1816) he began publicly to denounce slavery itself, though he did not demand immediate emancipation, as "They had always thought the slaves incapable of liberty at present, but hoped that by degrees a change might take place as the natural result of the abolition."

(from Wikipedia Entry on William Wilberforce:wilberforce

Saturday, 20 August 2016

Thomas Carlyle and the Negro Question


My previous post on this topic is
negro question
Carlyle's Occasional Discourse on the Negro Question.


Today I was reading in the blog of a Carlyle scholar who criticises the use of the term 'nigger' in the work of Thomas Carlyle. He is aware that there is a certain anachronism involved, but he insists that by the start of the 19th. century things were changing and polite society represented by such as John Stuart Mill used the term 'negro'. There is an irony there in that Mill and his father worked in India House the H.Q. of the colonial plunder and the swag that was the white man's burden. One recalls too that Mill fils took a dim view of helping the Irish during the Famine. Offering this whited sepulchre as an example of probity is ironic.

However the fierceness of Carlyle's scorn in his Discourse on the Negro Question and his apparent support of slavery as superior to anarchic idleness has an unlikely supporter in Leslie Stephen. Writing on Carlyle's Ethics.

It shocks one to find an open advocacy of slavery for black Quashee. But we must admit, and admit for the reasons given by Carlyle, that even slavery may be better than sheer anarchy and barbarism; that, historically speaking, the system of slavery represents a necessary stage in civilisation ; and therefore that the simple abolition of slavery—a recognition of unconditional " right" without reference to the possession of the instincts necessary for higher kinds of society—might be disguised cruelty. The error was in the hasty assumption that his Quashee was, in fact, in this degraded state; and the haste to accept this disheartening belief was but too characteristic. That liberty might mean barbarism was true; that it actually did mean it in certain given cases was a rash assumption too much in harmony with his ordinary aversion to the theorists of his time.

Stephen's father Sir Joseph was the Colonial Undersecretary of State and a noted abolitionist. More irony there. A brother was a legal aide to the Council of State in Delhi. Compartments were hermetically sealed, one from the other.

Text for the Day:
Cleanse your hands, ye sinners; and purify your hearts, ye double minded.

May i add that I understand perfectly that a young academic would want to draw a cordon sanitaire around Carlyle on this question

Leslie Stephen - Hours in a Library


There is something very modern about the note of plangent sadness which Leslie Stephen sounds as he regrets the seeking of signs and wonders by the devotee who is looking for confirmation of the truth of his faith. One might read this gentle lament in an essay by Gary Gutting in the Opininator of the New York Times.

You are seeking for outwards signs and wonders when you should be impressed by the profound and all pervading mysteries of the universe; and therefore falling into the hands of mere charlatans, and taking the morbid hysterics of over excited women for the revelation conveyed by all nature to those who have ears to hear. Has not the word 'spiritual' till now expressive of the highest emotions possible to human beings, got itself somehow stained and debased by association with the loathsome tricks practiced by importers aided by the prurient curiosity of their dupes?

Stephen is writing about Carlyle's Ethics and mentioning in passing the sad decline into what he could only see as charlatanry of Edward Irving, Carlyle's friend.
irving

This point is made as it were in passing but from other of his writings I feel that he went out of his way. You see Sir Leslie Stephen was a Victorian freethinker and therefore somewhat at bay and inclined to growl. The portrait of him in To The Lighthouse as Mr. Ramsey does not shed a kindly light. The Calvin Carlyle which he offers us was probably influential. More on that perhaps.

Find the essay on Carlyle's Ethics in Bk.III of Hours in a Library
Hours in a library