Subsequent to the previous post the editor of Essay Daily asks:
Craig here - I edit this series and am interested in your statement here, "I write this in the interests of precision which is a feature of the essay form". Is precision necessarily a feature of the essay form? I'm not so sure it is, at least not in many of the forms an essay may take.
Anyway, if you ever see this, I wonder if you might expand on this idea a bit.
It is certainly a feature of the classical essay. I’m thinking here of Montaigne, Bacon, Johnson. They often attempt an analysis of some topic or a received opinion. Hazlitt asks himself - ‘what is skill really and how does it differ from art’. They want to clarify for themselves as much as for you.
Try Coleridge’s Essays in The Friend
Even the modern essay if a collection from 1922 can be called modern respects the overwhelming givenness of the fact and its lineaments. Augustine Birrell writing about Carlyle:
No one at all acquainted with his writings can fail to remember his almost excessive love of detail; his lively taste for facts, simply as facts.
There is a secular reverence in precision. It genuflects before the fact but if it stops there cannot inspire. Samuel Butler in his Ramblings in Cheapside considers the turtle and its defensive apparatus and concludes that he cannot really understand the beast until he consumes it but not having the half-crown to purchase it must move on: to metempsychosis.