Showing posts with label Flannery O'Connor. Show all posts
Showing posts with label Flannery O'Connor. Show all posts

Tuesday, 13 December 2011

Everything That Rises Must Converge by Flannery O'Connor

So what do you do when you wake up at 3:30 from a dream of poor quality, drowning came into it, do you set yourself to twitch as your life passes before you, a series of tableaux of failure, ignominy and desolation? No, you get up, make a cup of tea, take 3 sweeties from the Roses tin, no more, and read Everything that Rises must Converge.

In checking the source of the title I discovered that it is from a book by Tailhard De Chardin, The Future of Man. I wrongly guessed Plotinus who has something of the same sort of pneumatics in his Enneads. In Good Country People O'Connor quotes from Being and Time by Heidegger. She is fond of lay scripture and finds therein ironic themes and inverted doxology.

I note that the Googleamus throws up various glosses on the text called notes. Such explication de texte I never read and on reflection navigating over the reefs of political correctness must be so hazardous for the high school teacher that they would love to leave it out or leave it to the Spark or Monkey interpretations.

There is some shape shifting in this story and exchange of sons. One is reminded of the ancient practice regulated by Brehon law of Tanistry and fosterage. Here of course it is the feeblest of the ancient blood, the liberal son, that inherits. However he is not without an image of Tara's Halls animating his reveries.

Being O'Connor her endings tend to be definite and final, the middle seems to have less of the aggregation of detail of the inveterate fabulist that she was. It was a late story and her illness may have been affecting that energy. As Micheal O Muircearthaigh said about the Clare hurler who went on a severe diet.

You know the ways it is, when you lose a lot of weight, some of your strinth goes with it.

Monday, 12 December 2011

Good Country People by Flannery O'Connor

As a rest and a relief from John Cowper Powys I am reading in Flannery O'Connor's Complete Stories. With her you will never know how consciousness is to be distributed but it may switch from soul to soul like a vile oppressing spirit that produces the grim atrabiliousness that breaks out as laughter. Good Country People has that constellation of which O'Connor is particularly fond, Mother, intellectual child with solipsistic tendencies and a stranger that is passing strange. Just when you think Hulga is about to discover her misplaced Joy she loses something other than she had perhaps hoped for. Mother is generally a put upon creature of determined good will. The vast country cunning of Mrs. Freeman who must match each affront to flesh is pitted against Mrs. Hopewell her employer. Her various stands in the kitchen; against the gas heater in the winter, in the doorway in the summer, at the refrigerator: are perfectly noted. This brooding and capping ubiquity - 'I always said it did myself':

All this was very trying on Mrs.Hopewell but she was a woman of great patience.

The bible salesman, a collector of curiosities, a wandering nihilist who passes for good country people entices Hulga who herself affects a belief in Nothing. Her Phd. in Philosophy is not a match for his powers of abstraction.