One thing Hemingway and Ford did agree on was the writing of William Henry Hudson. Hemingway had 14 books of his and Ford several times states that he thought Hudson to be the finest living writer of English prose. This, from a man who knew all the modern masters, is an extraordinary encomium. There is a good selection of his works on the Gutenberg Project. The extract I have chosen is from A Shepherd’s Life published in 1910. There’s a sketch of his life and works on Wikipedia:
William Henry Hudson
To the dwellers on the Plain, Salisbury itself is an exceedingly important place—the most important in the world. For if they have seen a greater—London, let us say—it has left but a confused, a phantasmagoric image on the mind, an impression of endless thoroughfares and of innumerable people all apparently in a desperate hurry to do something, yet doing nothing; a labyrinth of streets and wilderness of houses, swarming with beings who have no definite object and no more to do with realities than so many lunatics, and are unconfined because they are so numerous that all the asylums in the world could not contain them. But of Salisbury they have a very clear image: inexpressibly rich as it is in sights, in wonders, full of people—hundreds of people in the streets and market-place—they can take it all in and know its meaning. Every man and woman, of all classes, in all that concourse, is there for some definite purpose which they can guess and understand; and the busy street and market, and red houses and soaring spire, are all one, and part and parcel too of their own lives in their own distant little village by the Avon or Wylye, or anywhere on the Plain. And that soaring spire which, rising so high above the red town, first catches the eye, the one object which gives unity and distinction to the whole picture, is not more distinct in the mind than the entire Salisbury with its manifold interests and activities.
There is nothing in the architecture of England more beautiful than that same spire. I have seen it many times, far and near, from all points of view, and am never in or near the place but I go to some spot where I look at and enjoy the sight; but I will speak here of the two best points of view.
The nearest, which is the artist's favourite point, is from the meadows; there, from the waterside, you have the cathedral not too far away nor too near for a picture, whether on canvas or in the mind, standing amidst its great old trees, with nothing but the moist green meadows and the river between. One evening, during the late summer of this wettest season, when the rain was beginning to cease, I went out this way for my stroll, the pleasantest if not the only "walk" there is in Salisbury. It is true, there are two others: one to Wilton by its long, shady avenue; the other to Old Sarum; but these are now motor-roads, and until the loathed hooting and dusting engines are thrust away into roads of their own there is little pleasure in them for the man on foot. The rain ceased, but the sky was still stormy, with a great blackness beyond the cathedral and still other black clouds coming up from the west behind me. Then the sun, near its setting, broke out, sending a flame of orange colour through the dark masses around it, and at the same time flinging a magnificent rainbow on that black cloud against which the immense spire stood wet with rain and flushed with light, so that it looked like a spire built of a stone impregnated with silver. Never had Nature so glorified man's work! It was indeed a marvellous thing to see, an effect so rare that in all the years I had known Salisbury, and the many times I had taken that stroll in all weathers, it was my first experience of such a thing. How lucky, then, was Constable to have seen it, when he set himself to paint his famous picture! And how brave he was and even wise to have attempted such a subject, one which, I am informed by artists with the brush, only a madman would undertake, however great a genius he might be. It was impossible, we know, even to a Constable, but we admire his failure nevertheless, even as we admire Turner's many failures; but when we go back to Nature we are only too glad to forget all about the picture.