Yet another of those noticing women, Mrs. Oliphant. The other one I was reading recently was Anita Brookner in her Booker prize winning ‘Hotel du Lac’. Of the two the sharper is the Victorian lady who can deal with a range of social settings and the delicate treatment of the nuances of class so much a part of English life. That she was a Scotswoman probably helped to mould that acerbic view of the difference between the Church appointed by law and the non-conformist Chapel folk. Though never identified as Methodist the talk of ‘our connection’ and ‘the connection’ is a Methodist way of describing the local control of the running of a chapel, the paying of a minister, selecting their own minister who might be dropped if he displeased the deacons. This is a major theme of the novel. Arthur Vincent though a powerful preacher seems a little too stand offish for the deacons. He does not flatter them by attending their soirees and besides he is infatuated by Lady Western, a beautiful young dowager. She’s church folk and that rankles. We are never in any doubt that this attraction can come to nothing. Her heart is given to another, the poor man who retired from the field leaving to Sir Joseph Western this peach, this nenuphar of nubility. Sir Joe died off stage.
Curiously the man who is wooing the sister of the minister has the same name as the unsuccessful suitor. I have already made clear that if you are bothered by coincidence do not read Victorian three volume novels. They are a small world.
Matthew Arnold’s England was divided like Gaul in ‘partes tres’, the barbarians,the hebraic and the populace who are keen on doing what they like. Lady Alice is not a barbarian aristocratic type, huntin, shootin, fishin. She is too nice to the young minister simply out of patrician good manners. Another woman of that class is Mrs. Hillyard who being poor, though gently born, has to make her living at piece work sewing. She is a well drawn sharp observer of the milieu into which she has descended. She now attends chapel.
Who are the dwellers of that town? Mrs. Oliphant is able to give us the full flavour of Victorian Britain particularly the religious divisions on the Protestant side. Within the Anglicans the main contrast is between the High Church with its ‘smells and bells’ and the Low Church’s clear lights of the unadorned.
As for Rome. We don’t talk about Rome. The locution ‘Romish’ is used as a pejorative. Evangelism shuns those excesses.
Running parallel to the Vincent/Salem struggle over the social control of the minister is the fear that Susan Vincent will be ruined through her abduction by the estranged husband of Mrs Hillyard. The author brought me at least into that sphere of Victorian mores. This was a real fear. Can you project yourself into that world by a species of moral time travel. If you cannot enter into the dark mind of the patriarchy Victorian literature is not for you. Ruined, you could always go to Australia.
Carlingford and its novel cycle gives us a more complete picture of the life of a small town that 1000 Middlemarches. We have the prosperous members of a rising lower middle class, the Poulterer, the Butterman. They are confident in their own realm but insecure owing to their disabilities as Dissenters. They want to put on a good show with packed pews, a minister capable of giving ‘coorses’ in the finer theological points of true Christian Free Worship unbeholden to the State. Their social welfare system is organised and effective without the mummery of grey cloaked sisterhoods i.e. Anglican nuns.
The tracking of Vincent’s sister and Fordham is well done and we get the sense of the exhaustion and fear that he might be too late to prevent the ruin of his sister.
A very complex and satisfying read. Mrs. Oliphant is due a reappraisal.