Emotion but not only emotion. In classical times verse was used to write philosophical texts. I think that the demands of prosody made the writer avoid the pitfalls of cliché or those mental grooves that we normally run it. They were forced to think past the habitual, ‘I suspect’, ‘I worry’, ‘this muddle’ and work into a new clarity. The Four Quartets of T.S. Eliot achieve this.
Deep thinking is attainable only by a man of deep feeling, and all truth is a species of revelation
To make the reason spread light over our feeling, to make our feelings, with their vital warmth, actualize our reason(from S.T. Coleridge Aids to Reflection and The Friend)
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